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Ebook Study of Pose: 1,000 Poses by Coco Rocha, by Coco Rocha Steven Sebring

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Study of Pose: 1,000 Poses by Coco Rocha, by Coco Rocha Steven Sebring

Ebook Study of Pose: 1,000 Poses by Coco Rocha, by Coco Rocha Steven Sebring

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Review

“Supermodel and ‘Queen of Pose’ Rocha, dressed in a plain white leotard, collaborated with world-renowned photographer Sebring to produce 1,000 absolutely stunning black-and-white images.” (BookPage)“Shot in glossy black and white and using a 360 degree camera, the dynamic images do more than inspire the fashion faithful, they provide an showcase for the beauty and versatility of the body.” (Models.com)“A beautiful (and thick!) collection of black-and-white photos from “the Queen of Pose”, Coca Rocha, doing what she does best: masterfully contorting her body with elegance and grace.” (The Thread, Nordstrom)“As you begin paging through Study of Pose you find yourself caught up in each picture’s story.” (Big Think)

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From the Back Cover

A Compendium of 1,000 Unique Poses

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Product details

Hardcover: 2032 pages

Publisher: Harper Design (October 28, 2014)

Language: English

ISBN-10: 006232814X

ISBN-13: 978-0062328144

Product Dimensions:

7.4 x 2.6 x 9 inches

Shipping Weight: 6.2 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

107 customer reviews

Amazon Best Sellers Rank:

#72,644 in Books (See Top 100 in Books)

I want to give this book five stars, as it is very interesting, but the fact that every other page is stuck to the one before it, which requires you to peel the pages apart (not an easy task), makes me angry. I paid a lot of money for this book, and I don't know if I am going to keep it, because I don't think I want to devote an entire day of my life to making it readable. Whoever is responsible for the production of this book--the person who approved the ultra thin stick-together pages--needs to spend the rest of his or her life peeling apart all the books before they are shipped to consumers.I guess if you don't want to take time off from work to make this book readable, you can simply give up and call it "500 Poses by Coco Rocha," because that's all you can see without a whole lot of effort.

This books is trash. Horrible resolution and editing of the subject in the book. This is not a pose book. This a collection of random photos of the subject jumping around. The photographer didn’t even use strobes strong enough to freeze the action in many of the photos. Subject is completely overexposed in editing to compensate for probably bad lighting and underexposure.Don’t waste your money

I've bought this book used. But even so all the pages are stuck together so you have to peel apart 500 pages haha(it looked untouched, although once they are peeled, they stay apart). So there are 2 pages per pose, which it looks okay but for 1000 poses(2000 pages or so) it should really only be 1 per page. Crazy! As it is, the book is bulky and thick. The pages are very thin and do bend easily. But for half the price, i was more concerned about the quality of the poses and content.. obviously. The lighting is okay, not going to complain. So minus 1 star for the book quality. That's really where the book lacks. For the recommended retail value of $60, the poses are worth it. The book quality is not. I still would recommend it though for serious creatives.Only finished up to pose 350, but wow! Lots of thought was put into the artistic/dance inspired poses. It'll definitely take my photography to the next level.Ive always had a liking towards ballet / abstract poses used in a photographic way and this book delivers just that. :).

I really don't know what the complaints are here, as seen in other reviews. The book is exactly what it says on the tin; it never purported to be anything else. 1,000 fascinating poses by Coco Rocha. That's what it *is*, and it's very useful to me as I pose figures in the 3D/CGI domain. Yes, the paperstock is whisper-thin, and occasionally I need to glide my finger between stuck pages... but so what? The poses are mostly very modern-looking, as though from modern dance, but there are some classic, "old-fashioned" poses in there, too. The chunky, heavy volume looks chic and handsome, and I am perfectly pleased with the book. What is the "other thing" that the complainers here were looking for, I wonder?

Well, honestly for the $40 I paid for this book, it is not "horrible" like the other reviewers have claimed. The book has its flaws with very thin sticky pages, but once separated the visual quality is very good. What I do find is that I quickly became bored flipping through the unstuck pages...perhaps I could have topped at 100 poses. It reminds me of my ten thousand images that I really wish someone else would go through and pull the best of so I didn't have to do the hard work of pairing them down.My intention was to gain inspiration for doing artistic photography and it still may have value, once I put my mind on the task of selecting the poses that are unique from the majority which are variations of movement as others have said.The price; it isn't worth returning as it is indeed 1000 photographs of the model doing her thing....and there is at least $40 worth of good poses in there somewhere.

I really love Coco and admire her greatly, and she has done a fantastic job in the making of this book with Steven. Like the other reviewers said, the pages are thin and I fear ripping them because they are stuck together. But aside from all that, by content, this is what I think of the book.I find this book to be a fantastic work of art, but I feel like it is a lot more of capturing dance poses than the study of pose/posing as a model. The poses she has are hardly those you see in editorial prints or lifestyle prints. A lot of the poses really look like dancing or acting poses. She has goofy expressions in a lot of them and very dynamic movement poses, or storytelling poses. I haven't looked through all 1,000 poses yet but it is a lot more artistic moment-capturing in style than I expected, which was really being able to study posing coming from such a successful high-fashion model. 1,000 poses is a challenge and I greatly respect and admire the work Coco and Steven put into making this book, but I guess I wasn't expecting it to be so dancer-like. To shoot 1,000 print and editorial looks would be a serioussss challenge though. She is also wearing the same outfit in the whole book and the photography look is the same - like the one on the edge spine of the book - which I suppose makes sense given the "challenge," but makes it even more of an acting/dancing "poses" book to me. Also, because her style of posing in general involves a lot of movement, it's really hard to "study," in my opinion. It's a great show-off work of art between Coco and Steven though, truly incredible collaboration.

This book is excellent, it has really inspired me in my work. It is a must have for every model.

This book has already been used for reference on modeling shoots. Haven't even begun to crack what it contains.

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Ebook Free Fodor's Amsterdam 25 Best (Full-color Travel Guide), by Fodor's Travel Guides

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Fodor's Amsterdam 25 Best (Full-color Travel Guide), by Fodor's Travel Guides

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Review

“Fodor’s is pitched a few notches higher….aimed at a fairly discerning traveler with an appetite for background and the occasional surprise.” – New York Times “The Fodor’s guides are notable for their ratings of sights, restaurants, shops, accommodations and attractions.” – Chicago Tribune“In terms of comprehensiveness of coverage, the very accessible format, and the enthusiastic tone, this series remains one of the best on the market.” – Booklist“Fodor’s super-informative guidebooks are known for accuracy and attention to detail.” – Sacramento Bee“Fodor’s can help you plan the perfect adventure.” – Arizona Republic

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About the Author

For over 80 years, Fodor's Travel has been a trusted resource offering expert travel advice for every stage of a traveler's trip. We hire local writers who know their destinations better than anyone else, allowing us to provide the best travel recommendations for all tastes and budget in over 7,500 worldwide destinations. Our books make it possible for every trip to be a trip of a lifetime.

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Product details

Series: Full-color Travel Guide (Book 10)

Paperback: 128 pages

Publisher: Fodor's Travel; 10 edition (November 14, 2017)

Language: English

ISBN-10: 0147547024

ISBN-13: 978-0147547026

Product Dimensions:

4.3 x 0.5 x 7.6 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

51 customer reviews

Amazon Best Sellers Rank:

#68,363 in Books (See Top 100 in Books)

Loved this travel book--probably one of the best I've got in my travel "library." Good balance of photos and helpful information. Nice size to take with us, including maps of both streets and transit options.

Concise reference, have only skimmed it so far but appears to provide a nice overview. Fodor's are generally solid, have no reason to expect anything different in this format. Large enough to be useful, small enough to travel well.

I have always used Fodor Travel Guides when I go to Europe. I find them informative, easy to read and concise. My only suggestion would be with regard to price ranges of things (ie. entrance fees). I would like to see more breakdowns of price. Their “high” price range has too large of a range to be helpful. Perhaps a range such as between $5-$10, $10-$15, $15-$20, etc. would be more effective in determining whether to visit a certain place or not. I know that prices are subject to change, but it would at least give a clearer picture of what visiting a particular place will cost me.

Like any guide, some of the recommendations were good and on target. Others...not so much. Some of the information was incorrect. I thought at first it was because of the time it went to print. Turns out, some of the opening hours/days never actually existed in the first place. I'm not sure I'd purchase this guide again.

I bought this to Lear where we should eat while in Venice. It didn’t help. We didn’t even use the map. Our hotel gave us ones and they highlighted the routes.

Well chosen list of places to visit with a sufficient amount of information about each one of them

I like this book because it is easy to throw in my purse, has a great map and hits all of the important spots to see with minimal detail.

WOW! This is the best ever for touring. I ordered another book first - all about the history of Amsterdam. But this? SO MUCH BETTER! Maps, reviews, ideas - all great!

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Download Ebook , by Evan Skolnick

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, by Evan Skolnick

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Product details

File Size: 2567 KB

Print Length: 210 pages

Publisher: Watson-Guptill (December 2, 2014)

Publication Date: December 2, 2014

Sold by: Random House LLC

Language: English

ASIN: B00KUQGR6U

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Amazon Best Sellers Rank:

#443,479 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have given Evan Skolnick’s “Video Game Storytelling” four stars, because while he definitely has something to say about video game development, he has some serious conceptual deficiencies concerning the structure of storytelling in novels, movies and plays. It’s actually a pretty darn good book, even cool in parts. It has its flaws, but when you compare it to others out there, it definitely holds its own.Before I go any further, I should to let you know where I’m coming from. I have been playing games for decades, both board games and computer games. I’m not one to spend all my time gaming, but I have spent months trying to get to the end of a computer game. “Riven,” the second of the “Myst” series, comes to mind. Also “BioShock.” I am not a game developer. I am an author. I write fiction, screenplays and non-fiction, but mostly novels and books on how to write novels. I have written on storytelling as a subject independent of genre.So I’m an author and a gamer, while Evan Skolnick is a gamer and has been a game developer for decades. He gives seminars at the annual Game Developers Conference in San Francisco. Game creators struggle with how to integrate narrative storytelling into the action of a game so that it provides a richer and more complete experience for the player. Skolnick wrote this book to help developers more fully understand the art of narrative storytelling in video games. I read his book not to critique it but to learn something about storytelling in games. And it taught me quite a lot. I was not disappointed. The book’s subtitle is “What every Developer Needs to Know About Narrative Techniques.” This is the heart of the matter: how to integrate games and storytelling.The book is divided into two parts, the first titled “Basic Training” is more about storytelling elements themselves: conflict, structure, character and arcs, etc. These are the elements of storytelling as applied to game creation. The second part is titled “In the Trenches.” Here Skolnick gets down to describing the mechanics of actual game development, including the composition and function of the team, all the while paying particular attention to how the story comes together as the game progresses, and how each element of the team makes that happen. This is great stuff.But here come my quibbles. The good news is that Skolnick fully understands that the engine that drives any story is conflict. Without conflict, you have no story. Hollywood screenwriters understand this better than do novelists, but game creators revel in open unabashed conflict, sometimes to its detriment. The problem comes in Chapter 2 when Skolnick discusses “The Three-Act Structure,” (page 15) which was first identified by Aristotle. Skolnick interprets the first plot point as the beginning of confrontation, i.e., the beginning of the conflict. Here’s how he describes the first act:“The audiences of other story-based media — novels, movies, comic books, and plays — come into the experience with a certain degree of patience. They’re willing to spend some time up front getting familiar with the world and characters before the main conflict is introduced and the story really gets going.” [page 21]This just quite simply is not true. Skolnick goes on:“While traditional story audiences regularly tolerate 25 percent or more of the total story time being devoted to initial setup…” [page 21]How he could be so wrong about this and it could escape the attention of his editors is beyond me. In traditional story structure, the conflict is locked as soon as possible, very close to the beginning. The first plot point is when the central conflict takes off in a new direction, perhaps a dramatic escalation or an expansion of the scope of the conflict. So the central conflict is actually locked at the beginning of Act I and is dramatically escalated at the beginning of Act II. No one would wait until 1/4 of the way through the story to start the confrontation. Here’s the opening on E.B. White’s “Charlotte’s Webb,” a children’s book:"Where's Papa going with that ax?" said Fern to her mother as they were setting the table for breakfast."Out to the hoghouse," replied Mrs. Arable. "Some pigs were born last night."Fern is out the door in a flash to stop her papa, and the story is off at a dead run. Furthermore, in the opening three pages of Dan Brown’s “The Da Vinci Code,” an albino murders the curator of the Louvre Museum in Paris locking the conflict that unfolds at a break-neck pace that is only resolved at the end. I realize that not all novels are structured this way, but neither are all video games. And as for movies, here’s what Irwin R. Blacker says in his book, “The Elements of Screenwriting”:“Conflict is the essence of narrative film. In the opening minutes of a film, two or more forces come into opposition. In film terms, the conflict is ‘locked’ as quickly as possible. So urgent is the need to lock the conflict that many films do so in the tease before the title and credits.” [page 7]Skolnick has not done his homework on narrative storytelling.Whatever Skolnick’s misconceptions about plot point 1, he fully understands plot point 2, which occurs 3/4 of the way through the story. Here’s what he says about it:“Plot Point 2 separates Acts II and III, and is sometimes a bit fuzzier. Generally it’s the moment in which the Hero, battered by the effort of already overcoming so many challenging obstacles, finally sees the path to victory. She hasn’t achieved it yet, and the outcome could still go either way, but the Hero has had some kind of epiphany and at last knows what she needs to do — if she can only pull it off!” [page 16]This is a profound statement about plot point 2, and this paragraph alone makes the book worth reading. To his credit, Skolnick also understands the biggest problem with the three-act structure: mid-story sag. Here is his comment on the subject and his solution:“Act II is usually about twice the length of either of the other acts — it’s big! So big, in fact, that it sometimes gets hard to handle when it comes to structure, planning, and pacing. A writer can start wandering in Act II and lose momentum quite easily. Because of this, many writing gurus split Act II into halves, separated by a Midpoint — the halfway point not only of the act, but also of the overall story — at which time things will often spin in a new direction.” [page 14]This is extraordinarily insightful, and you can see this midpoint as a “reversal of action” in many movies. For example, in “Jaws” the shark hunts the people for the first half of the movie, and the people hunt the shark in the second half. In Cameron’s “Titanic,” the ship floats in the first half, hits the iceberg in the midpoint and sinks during the second half. Many novelists and movie makers don’t have this insight, but Skolnick nails it.My other problem with Skolnick’s discussion in Chapter 2 is that he seems to believe that the protagonist (generally the player of the game) is always there to resolve a conflict that was locked long before the player arrived. Granted, many stories are of this nature. “Star Wars” is one. “Riven” is another. Even “BioShock” fits that format. But what Skolnick is suggesting is that it’s always the same setup. This may be true of current video game development, but it doesn’t have to be that way in the future. The conflict doesn’t have to have a backstory. The relationship between the protagonist and the antagonist can be simpatico at first but rapidly deteriorate into a prolonged conflict. All authors know this. I’m not sure why the gaming community would have such a narrow view of the central conflict.Skolnick focuses on what storytellers from other disciplines (novel writing, screenwriting, playwrighting) can tell game developers, but it’s also obvious that game developers have a lot to offer authors. What I’m thinking of has to do with environments and how they can help tell the story, particularly the backstory. It isn’t something that authors don’t already know, but the degree to which game developers concentrate on letting the environment tell part of the story really is an eyeopener. After all, game developers can’t get away with sketching a few images of a setting. They have to present it in all its glory as continuous visual images from many different angles. They expect the player to spend time roaming the landscape viewing the scenery and perhaps solving a puzzle or two. The environment must be interactive. An author can get away with only describing the salient features of a character’s appearance, but a game developer has to show the complete character, plus the way the characters move. This is pure choreography.I could write a book about this book. It’s that interesting. As I’ve already stated, it isn’t perfect, but it goes a long ways down the road to explaining narrative technique in video game storytelling. A lot of people could benefit from reading it, and they aren’t all game developers.

I was fascinated by Evan's writing workshop at GDC. So after taking it I decided to read the book.I'm glad I did.As an indie game developer I wear many hats, and one Evan has helped me to see more clearly is that I'm Chief Narrative Officer.This book achieves it's stated goal: to provide a quick firm foundation of storytelling principles so game developers can appreciate the actions they take which help or hinder story.I have read books on character design, screenplay writing, and how to write fiction. Yet remarkably this smaller, more precise book was more useful.

I enjoyed this perspective on writing. I'm not a video game writer, but it's got useful info for anyone looking to write believable characters and improve the "hook" of their stories. The other thing I especially enjoyed, aside from the video game references, was the down to earth tone. A lot of writing advice books have this condescending voice that just grinds on me, but this book stayed light and informative without preaching at me.

I bought Evan's book after watching a GDC writer's conference on YouTube a few weeks ago. He recommended aspiring writers, like myself, to read it and discover what truly goes into modern game narratives. Let me tell you this - its SO worth it. Fantastic read! The first book I've read on game writing. It explains some basic principle storytelling techniques, like character development, making the story believable, understanding the three act structure, of which I've read about before, and much more. Then he goes into the techincal aspects. How to tel a story, say, via a games' environment? How to design levels that work in conjunction with the narrative. How crafting AI systems into making characters, both good and bad, believable yet fun. How valuable communication is with team members. All sorts of stuff like that.Please, do yourself a favor and buy this. Even if you already have a firm grip on the three act structure, or how to write good dialogue, its worth taking the time to read.

I have been enjoying this book so far. I haven't read the whole thing yet, but it's been very on point so far, and fairly practical as well. If you come from a traditional writing background, it may break some rules, but for video game writing it is pretty on the nose. I got the digital copy so I'd have it with me on my kindle and phone, but I like it well enough to consider getting a hard copy for my home library.

This book gives a great perspective of video game development from the narrative perspective and encourages a level of teamwork that any project would hope for. But in this case, it is quite specific about the relationship between the roles and why going back to the narrative is so important.I was looking for books that discussed the narrative aspects of gaming for my research on #VoiceGameDev. This is exactly what I was looking for and I would recommend it to anyone creating a voice based game as well as the video gaming it speaks to. Although some roles would be different, I imagine the same level of collaboration and respect with the narrative creators will be even more important.

I really liked the second part of the book, I gives lots of insight from a professional who knows how production pipelines work, and the influence good writing has on the end result.From my perspective, the first part of the book is a oversimplification on scriptwriting that might be misleading.

I am reading this book to help me with marketing and storytelling for business.Combine this book with, "All Marketers are Liars" (Deceptive title) and anything from Abraham Hicks and you should be set for telling incredibly moral, ethical, and authentic stories for your audience.

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Ebook Free , by Greg Seymour

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, by Greg Seymour

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Product details

File Size: 2227 KB

Print Length: 163 pages

Page Numbers Source ISBN: 1508423903

Simultaneous Device Usage: Unlimited

Publisher: Seymour Sunsets Publishing (February 3, 2015)

Publication Date: February 3, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00T6O6WDK

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#97,951 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Greg has offered a witty and very informative little book full of useful tidbits about life (or even visiting) in Costa Rica. He's really filled a great niche that hadn't otherwise been well-filled. Books like my own (Unraveling the Mysteries of Moving to Costa Rica) or his wife's (Costa Rica Chica) give great detailed accounts of people's move to CR, but Greg has taken a different tack and provided a down-and-dirty look at lots of the odd little details and experiences when you spend any time in Costa Rica -- from the mysteries of the lockers for your backpack at the grocery store (and the insight that took us a long time of living there to understand, that the baggers in many grocery stores are *not* actual employees and their *only* compensation is your tip!) to often shocking (to visitors) reality that in many bathrooms you can't put the toilet paper into the toilet, needing to put it in the provided trash receptacle instead. (And if that last one made you go "ewww" then all the more reason to read Greg's book before you head to Costa Rica!)Greg did an outstanding job of balancing his clear fondness for his chosen home with a realistic look at some of the idiosyncrasies of the country. And his discussions of those idiosyncrasies are often full of good-natured humor while at the same time offering much in the way of practical advice.A pretty quick read and well worth every moment you spend! Whether you're planning on moving to Costa Rica, or just visiting, you'll find lots of useful insights and I encourage reading this book before you go!

I really enjoyed this book. I'm not thinking of moving to Costa Rica but I am interested in visiting for a couple of weeks.Greg made the idea, of visiting, very interesting and do-able. I especially enjoyed his tips on getting around via the bus (I don't think I will rent a car--but if one did, he made clear the "little things" to consider; such as, when going to a supermarket and parking your car be sure, before you drive off to the exit, to pay first--I can just picture me not doing that and being one of "those" people)--also, I liked his explanation for what honking one's car horn means in Costa Rica--very funny.And just the simple act of going out to eat--which can be a crippling experience for a non-native--he writes clearly and distinctly for the first-timer.Greg makes Costa Rica sound interesting and easy to navigate for a first time traveler to a Latin American country.Very much recommended.Oh, and he also offers the first chapter of his wife's book--which I intend to buy as well--it is a great idea: to have a male and female perspective on the idea of packing up and moving to a foreign country. I look forward to reading it.(and I just now realize I wrote, for the heading, living Plain living life)not really what I meant but...

Like Greg and Jen, we are already expatriates from Dallas: We currently live in Illinois. I’m heading to a visit to Costa Rica to learn a bit about it, and to consider retiring there. Like Greg, I’m not well traveled, outside North America, but I’m married to someone who lived in Europe for a few years. This book of tips is the kind of information you should want before taking the plunge. Thanks for disintegrating the myths of paradise, because I never believed them, anyway. Greg’s relating of his experiences is both enlightening and entertaining. I’m looking forward to seeing a little of the country in about six weeks. “Living and Visiting in Costa Rica” was very helpful and I recommend it for anyone visiting Costa Rica for the first time. Bear in mind, I’ve yet even to pack for MY first visit, but as some fool said on today’s NEWS, “We’ll see what happens.”

There's no "fluff" in this book. I wouldn't make it the only book I would read about Costa Rica, but the author offers invaluable daily living tips to help you navigate the small but important things like " "Should I leave a tip?" "Can I take a bus or will I need a car?" "Should I bring my parka, my shorts, or both?" "Vital info on using public bathrooms." "Can you really offer a cop a bribe to avoid a ticket?" "How do I use (get) a cell phone?" "I didn't mean to be rude. What did I say?" "Should I drive a car myself, or hire a taxi?" "What if I get in accident?" These and dozens of other practical recommendations and information make this a book you shouldn't miss. Whether you're coming for a vacation, or to check things out as a possible place to live, buy this book.

I have lived in Costa Rica for over 3 years now and wish that I had read this book before moving here or at least during our first few months. It would have helped so much.This book was fun to read and has a lot of warnings about things that I have personally experienced. I laughed a lot reading it. It can be very overwhelming when you first get here and try to accomplish certain things.Even shopping, things are not in place where you think they should be, but this book will help you through some of the struggles.The main thing that is important which Greg wrote in his book is YOU MUST HAVE A GOOD SENSE OF HUMOR, AND A LOT OF PATIENCE to live here.If you don't have those things, you will become very frustrated and won't make it here.It is a very different way of life from the USA and things are not what you think they should be.It's a fun challenge to live in a foreign country and this book will definitely help you to adjust.

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